1/28/2024 0 Comments Clean text for final cut![]() I would als set the Canvas to Fit to Window, in order to make sure you see the whole Canvas and to improve playback performance.Įven if you use an external calibrated monitor or make these adjustments to the Canvas, your text still might look worse in Final Cut Pro than it did in Motion. Note that while this is helpful, the Canvas still won't reveal interlace flickering, especially on animated text - again, a monitor is crucial.Īfter checking it out, I recommend turning Correct for Aspect Ratio back on - so you get an accurate view of your text's proportions. The text won't look quite exactly like final output because it's no longer being scaled, but as you can see, it's now as crisp and clean as it was in Motion. And with Correct for Aspect Ratio turned off, FCP isn't doing any scaling. With the Canvas set to 100%, you now see both fields. Then, select the "Correct for Aspect Ratio" menu item to uncheck it. To view both fields in the Canvas, click the first of the three pop-up menus at the top of the Canvas window and change the size to 100%. Here's how to get a better sense of what your text really looks like, even if you don't have a monitor: Plus, the Canvas is scaling your video to account for the difference between square computer pixels and the non-square pixels of DV video.īoth of these factors combined can make your text, which may look good on a monitor or on export, look terrible in FCP. You see, by default, the Canvas is only showing one field of your video - and in DV, every frame has two fields - so you are only seeing half the lines of resolution. Okay, that sounds like reason #1, but stay with me here. Interlace flicker, title safe, and color space: these issue can only be accurately assessed on a monitor. If your program is an DV program that is intended to be viewed on a television set, then the only way you can judge the quality of your video is by viewing it on a monitor - preferably a calibrated monitor at that. Here's the same text, after importing the Motion project final into Final Cut Pro, and dropping into a sequence. In Motion, the text looks nice and crisp. Since this Final Cut project uses DV footage, the Motion project is set to DV. Here's an example of some text created in Motion for use in a Final Cut Pro sequence. Here's the scenario: you use Motion to create some nifty animated text for your Final Cut Pro project. It's probably one of the most frequently asked questions on the Motion forums. Why Your Beautiful Motion Text Looks Bad in Final Cut Pro
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